Beethoven is not unique among people no longer alive who had to contend with life-long and ever-changing emotional difficulties. But he is unique in his particular ability to use time, melody, harmony, dynamics, articulations, touch, and timbre to express his tensions and resolve them musically (sometimes logically, sometimes whimsically, and sometimes poignantly).
I can now put worrying about technique (playing in tune, being able to shift properly, using the bow efficiently) into a more unconscious place when I play, and I can use my conscious mind listen and consider Beethoven's way of developing motives while participating in the experience. The same motive (or phrase) presented in a different kind of musical "light" has a different set of resonances, recalling one feeling or another from earlier in the movement, or in a passage from another movement of the same piece. I am so happy that I can now physically "ride" through the musical progress of Beethoven's phrases.
I can now put worrying about technique (playing in tune, being able to shift properly, using the bow efficiently) into a more unconscious place when I play, and I can use my conscious mind listen and consider Beethoven's way of developing motives while participating in the experience. The same motive (or phrase) presented in a different kind of musical "light" has a different set of resonances, recalling one feeling or another from earlier in the movement, or in a passage from another movement of the same piece. I am so happy that I can now physically "ride" through the musical progress of Beethoven's phrases.
I find elements of personality that are so blatantly Beethoven, and oddly think of them as "Beethoven-y" passages, even in the context of one of his pieces. And then there are phrases and passages that defy personality. Sometimes a chromatic passage sends me to another "place" entirely, and when the music returns to a familiar "place," I feel like I have returned from a journey somewhere. Maybe it is a return from the dream that I might have had (maybe last night), but cannot recall anything specific about it.
As much as I love Haydn, I do not rely on him for therapy the way I rely on Beethoven. Haydn is my mentor, my teacher, my entertainment, and my distraction from difficulties that like to take up space in my psyche. Haydn's music always provides me with escape. My concerns in life go on "pause" when Haydn is on my stand. But Beethoven has a way of getting into my head and organizing the shadows that have bothered and scared me for decades. The way he works with motives helps me observe and objectify those feelings. Playing (and listening to) Beethoven's music helps me on my path towards resolving some of them.
I don't think I would be able to appreciate Beethoven the way I appreciate him now without the technique I have spent years and years of careful practice developing. Thank you, Dr. Beethoven.
As much as I love Haydn, I do not rely on him for therapy the way I rely on Beethoven. Haydn is my mentor, my teacher, my entertainment, and my distraction from difficulties that like to take up space in my psyche. Haydn's music always provides me with escape. My concerns in life go on "pause" when Haydn is on my stand. But Beethoven has a way of getting into my head and organizing the shadows that have bothered and scared me for decades. The way he works with motives helps me observe and objectify those feelings. Playing (and listening to) Beethoven's music helps me on my path towards resolving some of them.
I don't think I would be able to appreciate Beethoven the way I appreciate him now without the technique I have spent years and years of careful practice developing. Thank you, Dr. Beethoven.
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