Slowly I am making my way through the various help screens in the Dorico "manual," and though it takes what seems like eons to figure out what commonplace things (like text boxes) are called, I am finding out a little about the logic of the program.
But to their credit, the engraved musical examples they show are often by composers who are female. So far I have encountered Josephine Lang and Dora Pejačević.
I have also learned that the obtuse nature of the program is a result of the developers, who were "let go" by Sibelius, having to create a program from scratch with names for items and names procedures that would not be identified as proprietary to Sibelius (or to Finale, for that matter).
So I will continue to figure out how to do things Doricolly.
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1 comment:
Thanks for the update and the explanation of what they're having to put up with.
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