I wrote this piece to greet 2018, and Daniel Gianola-Norris just recorded it and posted it this evening to greet 2022. What a surprise! Happy New Year!
Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
Elaine Fine I am active as a composer, a violist, a violinist, a recorder player, and as a teacher. I have been keeping this space in the blogosphere alive with assumptions about music (and assorted other things) since 2005.View Profile
This work is licensed under a Creative Commons Attribution-No Derivative Works 3.0 United States License.
Music is a mystery for people who play it, write it, listen to it, and write about it. The only thing I can really do when I try to say something about music is assume.
RSS Feed
For anyone who wants to read this blog via RSS (which means "really simple syndication"), please add
https://musicalassumptions.blogspot.com/feeds/posts/default
to your reader.
https://musicalassumptions.blogspot.com/feeds/posts/default
to your reader.
SEE AND HEAR MUSIC I HAVE WRITTEN
Search This Blog
Areas of Interest in this blog
- "Guest Bloggers" (19)
- Absolute Pitch (7)
- Amanda Maier (15)
- Bach (28)
- Beethoven (21)
- Bloggery (17)
- Book Reviews (8)
- Books (12)
- CD Reviews (18)
- Classical Audience (3)
- Composing (38)
- composition (23)
- Concert Reviews (2)
- David Diamond (1)
- Emma Goldman (10)
- Family (54)
- Film (40)
- Florence Price (27)
- Flute (23)
- Food (67)
- Great musicians of the past (30)
- Haydn (28)
- Index Cards (4)
- Interviews (29)
- Jazz (1)
- Mozart (5)
- Music Quizzes (6)
- Musical "Life Hacks" (8)
- Musings (9)
- Piano (34)
- Politics and such (9)
- Practicing (34)
- Radio (6)
- Rambles (36)
- Rants (7)
- Recipes (1)
- Scales (18)
- Sewing (1)
- Teaching (45)
- Transcriptions (12)
- Unjustly neglected composers (25)
- Viola (47)
- Viola d'amore (14)
- Violin (36)
- Women's History Month (44)
- YouTube links (96)
Blog Archive
-
▼
2021
(139)
-
▼
December
(16)
- New Year's Greeting for Two Trumpets
- Spending the New Year with Fred Cowan (and friends)
- A Great Day with Beethoven and Vivaldi
- A little armchair musicology
- One more transcription of Florence Price's Adoration
- New Year's Greeting for 2022
- HenselPushers
- Beethoven Piano Sonata No. 1, Mendelssohn Nocturne
- Deborah Drattell
- . . . and just like that
- Listen to my friend Istvan Szabo play Solo Bach
- Früling vs. Feder
- Sforzando
- Talking about Eurydice
- OH MY!
- Mozart's Piano Sonata, K 545
-
▼
December
(16)
Blogs I read
- A View from the Podium
- Africlassical
- Arnold Steinhardt's Key of Strawberry
- Boulezian
- Charles Noble's Daily Observations
- Contrapuntalism
- Curmudgucation
- Daniel Morganstern's Random Thoughts
- Doubt the Experts
- Dreamers Rise
- Iron Tongue of Midnight
- Language in the Wild
- Lucia Lucas
- Marian Wilson Kimber
- Michael Cooper's Journeys
- Michael Monroe's Musings
- Molly Gebrian Music and the Brain
- Monstrous Regiment of Women
- Not Another Music History Cliché
- Oboe Insight
- On an Overgrown Path
- Orange Crate Art
- Renewable Music
- Sequenza 21
- The Big List of Classical Music Blogs (last updated in 2015, but still useful)
- The Daffodil Perspective
- The Rehearsal Studio
- The Rest is Noise
- Thea Derks (some posts in Dutch, some in English)
- Vi Hart
- WKMT
Places of Interest
- Art Song Central
- Bach Musical Offering Website
- Brass Chicks: a place where women kick brass
- Early Music Sources YouTube Channel
- Favorite Classical Composers
- Fusion: Aleah Fitzwater
- Historical Political Songs (Parlor Songs)
- Instant Encore
- June Fine's Paintings and Drawings
- Martha Argerich Multimedia
- Monstrous Regiment of Women
- Music and Texts of Gary Bachlund
- My American Music Center Page
- My Living Music Center webpage
- My Piano Friends
- Neue Mozart Ausgabe
- Sounds and Fury Musical Jokes
- Subito Music Store
- Thematic Catalog (a catalog of music I have written)
- Vocal Music Instrumentation Index
- Werner Icking Music Archive
This work is licensed under a Creative Commons Attribution-No Derivative Works 3.0 United States License.
No comments:
Post a Comment