The total performance time is 22 minutes.
The score, parts, and script are available on this page of the IMSLP.
You can also listen to a midi recording here. It takes about 19 minutes, and one of the sections of the midi has a narration made by my in-house narrator (i.e. me).
You can follow the script by going here. Robin and I were inspired to write this because we realized that the animals in "Peter and the Wolf" and the "Carnival of the Animals," pieces that we have played at children's concerts for half a century, do not resonate as well with twenty-first-century children as they did with children of previous centuries. We felt that the menagerie needed a twenty-first-century update. We consulted our students in order to find the animals that would resonate most musically with them. The whale was included because one of my granddaughters loves whales.
Here is the list of animals represented, along with the instruments and instrumental combinations that represent them:
Bunny (featuring the xylophone)Olivia/Oliver, the solo child violinist, engages in musical dialogue with all of these animals. The technical demands of the Olivia/Oliver part are minimal: the part could be played by a confident young violinist who has been playing for two or three years and likes to do a little acting. The story includes riddles, and can involve the work of a "quick drawing" visual artist as well as imaginative drawings by kids in the audience. There are many possibilities for engaging and interactive performances.
Condor (featuring the bass clarinet, the viola, and the timpani)
Dog (featuring the trumpet)
Dragon (featuring a brass quartet)
Raccoon (featuring a woodwind trio)
Squirrels (featuring the strings)
Crocodile (featuring the snare drum and the trombone)
Snakes (featuring strings, trumpet, and woodwinds)
Unicorn (featuring the French Horn, of course)
Camel (featuring the flute and the English Horn)
Whale (featuring the tuba)
Teddy Bear (featuring the strings)
The themes involved are curiosity, imagination, and engagement.
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