Sometimes I wonder if reruns provide an unconscious soundscape of late-boomer's compositional lives. Could the music for "Star Trek," "Lost in Space," "Bonanza," "Lassie," "Mission Impossible," "F-Troop," "Gilligan's Island," and "I Love Lucy" function the way the songs of birds did for Messiaen, Dvorak, and Sibelius, or pub songs functioned for Brahms?
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