Believe it or not, having an interesting musical point of view is, in my experience, the rarest quality in musicians, and also the most important. Anyone can be derivative, literal, formulaic or wayward. If your take on the Beethoven Violin Concerto sounds just like Mutter’s or Perlman’s but with more mistakes, then the mistakes really count. If you’re doing lots of attention-seeking “musical” stunts, any mistakes will also attract maximum attention. There’s no shortcut to an interesting, personal and engaging interpretation- you’ve got to ask a lot of questions, live with the music, study the score away from your instrument, put your repertoire in context, challenge your ideas (and especially your teacher’s ideas), feed off your colleagues and be in the moment. Once you develop a really interesting point of view, you have to find the technical means to put it across to the listener. If you can play the Bruch Violin Concerto or the Beethoven 4th Piano Concerto in a way that makes your colleagues and the audience listen with excitement and anticipation, you can probably be forgiven missing the odd run. Why only nine things on the list? Because this one counts double. Have something interesting to say about the music and you’ll always give yourself the best chance at a second chance when you need it. Cause let’s face it: we all need a second chance sooner or later.You can read his whole post here.
Friday, April 10, 2015
"Have something interesting to say . . ."
Kenneth Woods has something interesting to say about making mistakes and getting second chances: